The presented work is one of Witek Orski’s most famous photographs. The photographs are a result of a process in which sixteen takes of a single stone were combined in such a way that it became impossible to determine the scale and depth of the stone. Orski studies the relation between the eye, the camera, and the surface of a painting. He directs viewers’ attention to the photograph itself, contrary to the usual treatment of a photograph as a transparent medium. Additionally, he disturbs the perception of the presented object by playing with the properties of matter: the photographed stones are covered with a layer of oil and are reminiscent of soft, moist pieces of meat. Orski has presented his works at individual exhibitions, 'Wulgarne' (English: 'Vulgar') and 'Cwiecenie' [an untranslatable pun on two words, ‘cwiczenie’, i.e. ‘exercise’, and ‘swiecenie’, i.e. ‘emitting light’] in the Czulosc gallery in Warsaw, and at group exhibitions in Tokyo, Paris, Berlin, Budapest, Bratislava, and Poland (for example, in Ujazdowski Castle Centre for Contemporary Art, Museum of Modern Art in Warsaw, and the Zacheta National Gallery of Art in Warsaw). He is a doctoral student in the Institute of Philosophy of the University of Warsaw and of the Faculty of Multimedia Communication of University of the Arts Poznan. He lives and works in Warsaw.
ADDITIONAL CHARGE DETAILS:
- In addition to the hammer price, the successful bidder agrees to pay us a buyer's premium on the hammer price of each lot sold. On all lots we charge 18 % of the hammer price.
- To this lot we apply 'artist's resale right' ('droit de suite') fee. Royalties are calculated using a sliding scale of percentages of the hammer price.
pigment print on Hahnemühle Photo Rag Ultra Smooth 305 g paper, dibond, 80 x 53 cm
signed, dated and described on the reverse of each part
The presented work is one of Witek Orski’s most famous photographs. The photographs are a result of a process in which sixteen takes of a single stone were combined in such a way that it became impossible to determine the scale and depth of the stone. Orski studies the relation between the eye, the camera, and the surface of a painting. He directs viewers’ attention to the photograph itself, contrary to the usual treatment of a photograph as a transparent medium. Additionally, he disturbs the perception of the presented object by playing with the properties of matter: the photographed stones are covered with a layer of oil and are reminiscent of soft, moist pieces of meat. Orski has presented his works at individual exhibitions, 'Wulgarne' (English: 'Vulgar') and 'Cwiecenie' [an untranslatable pun on two words, ‘cwiczenie’, i.e. ‘exercise’, and ‘swiecenie’, i.e. ‘emitting light’] in the Czulosc gallery in Warsaw, and at group exhibitions in Tokyo, Paris, Berlin, Budapest, Bratislava, and Poland (for example, in Ujazdowski Castle Centre for Contemporary Art, Museum of Modern Art in Warsaw, and the Zacheta National Gallery of Art in Warsaw). He is a doctoral student in the Institute of Philosophy of the University of Warsaw and of the Faculty of Multimedia Communication of University of the Arts Poznan. He lives and works in Warsaw.
ADDITIONAL CHARGE DETAILS:
- In addition to the hammer price, the successful bidder agrees to pay us a buyer's premium on the hammer price of each lot sold. On all lots we charge 18 % of the hammer price.
- To this lot we apply 'artist's resale right' ('droit de suite') fee. Royalties are calculated using a sliding scale of percentages of the hammer price.