Photographer, painter, organizer of numerous photographic exhibitions. A member of the Poznan Photographic Society since 1953. Member of the Association of Polish Art Photographers since 1962, and of the Association of Polish Artists and Designers since 1963. In the 50s, his photographic works were kept within the convention of socialist realism. He became interested in abstraction in 1956. From then on, his photography became closer to graphical techniques. In 1958, he took part in the Subjective fotografie exhibition in Essen as the only Pole. Also in 1958, he created an informal group along with Zdzislaw Beksinski and Jerzy Lewczynski, which presented a controversial exhibition in 1959, derided by critic Alfred Ligocki as ‘Anti-photography’. There was a break in his work during the years 1962-74. By the end of the 80s, he had returned to his artistic activity, working on his own technique being a synthesis of photography and painting
Additional Charge Details:
- In addition to the hammer price, the successful bidder agrees to pay us a buyer's premium on the hammer price of each lot sold. On all lots we charge 18 %.
- To this lot we apply 'artist's resale right' ('droit de suite') fee. Royalties are calculated using a sliding scale of percentages of the hammer price.
gelatin silver print, vintage print on Baryta paper, 39.5 x 29.5 cm
on the reverse the author's stamp
Photographer, painter, organizer of numerous photographic exhibitions. A member of the Poznan Photographic Society since 1953. Member of the Association of Polish Art Photographers since 1962, and of the Association of Polish Artists and Designers since 1963. In the 50s, his photographic works were kept within the convention of socialist realism. He became interested in abstraction in 1956. From then on, his photography became closer to graphical techniques. In 1958, he took part in the Subjective fotografie exhibition in Essen as the only Pole. Also in 1958, he created an informal group along with Zdzislaw Beksinski and Jerzy Lewczynski, which presented a controversial exhibition in 1959, derided by critic Alfred Ligocki as ‘Anti-photography’. There was a break in his work during the years 1962-74. By the end of the 80s, he had returned to his artistic activity, working on his own technique being a synthesis of photography and painting
Additional Charge Details:
- In addition to the hammer price, the successful bidder agrees to pay us a buyer's premium on the hammer price of each lot sold. On all lots we charge 18 %.
- To this lot we apply 'artist's resale right' ('droit de suite') fee. Royalties are calculated using a sliding scale of percentages of the hammer price.