1987
gelatin silver print, 26.3 × 26.8 cm,
signed, signed "Zbigniew Dłubak", dated and titled on the reverse
vintage

Asymmetry is one of the most important achievements in Dłubak’s work. The portfolio consists both of photographs and paintings, which the artist perceived from a philosophical perspective. Dłubak worked on it from 1983 until his death, invoking, in an innovative way, the constructivist tradition, furthering the issues discussed in Władysław Strzemiński’s treatise A Theory of Vision (Wydawnictwo Literackie, 1958). In his comment about Asymmetry Dłubak wrote: "I blur the usual perception of objects to get closer to the essence of what is concealed deep in views of things. In views, and thus in us."
Exhibition: Photographs from the Years 1947-1950, 1983-2000, Zachęta National Gallery of Art, Warsaw (2003).